#Positive grid bias amp pro pro
You might not want to use the Pro Series compressors on every track but, unless CPU cycles are very constrained, multiple instances on selected tracks ought to be possible.
Understandably, this is more noticeable than, for example, the standard dynamics processors bundled with Cubase, and perhaps just a little more than that generated by the similarly priced Waves VComp, for example.
In terms of workload, enabling a single instance of each model added a modest couple of percent to the average CPU load within Cubase on my test system. I did most of my testing with Cubase Pro 8.5 and experienced no particular issues. Installation follows a fairly painless download/serial number combination and, with VST, AU, RTAS and AAX formats all supported, compatibility across major DAWs and OS variants should be broad. As shown in the various screenshots, the three separate plug-ins look different, and those with a hardware background might detect some visual hints towards the original inspirations for example, the optical model borrows some of its visuals from the Teletronix LA-2A. Having established the principles, they are now bringing the same approach to other studio equipment, and the expectation is that this release will be the first of many. While component-level modelling itself is not unique, the way Positive Grid presented it to the user in BIAS Amp took it to a new level of accessibility. You can pick your choice of tubes, preamp block, tone stack, transformer, and any number of other elements, to create the amp of your dreams.
#Positive grid bias amp pro software
Initially launched for iOS but then ported to the desktop, this distinguished itself from the guitar rig software crowd by providing guitar players with a virtual workshop within which they could build their own guitar amp design. Positive Grid have implemented similar component-level modelling in their BIAS Amp package, reviewed in the January 2015 issue. The tube-based compressor offers plenty of character and, with two tube stages, it’s easy to add some overdrive. At a fairly modest introductory price, the first of these provides three distinctive compressor plug-ins, emulating tube, optical and FET circuits with options for swapping in and out individual components, so that you can create as many different variations as you like. So, how would it be if, within the overall ethos of something like a tube or FET or optical design, you could build your own compressor? Well, now you can, thanks to Positive Grid’s new Pro Series plug-ins. That’s not a criticism - it’s those sonic characteristics and design quirks that gave the device its reputation in the first place - but there are times when you might wish for more versatility. The other obvious point about software emulations of specific hardware is that, naturally, they tend to share the limitations of the original hardware. These types of plug-ins can sound very good indeed but, although they’re a lot more affordable than the original hardware, can nevertheless come with a hefty price tag - the aforementioned Waves collection is currently $599. Waves’ CLA Classic Compressors Collection is an obvious example: it includes emulations of the FET-based UREI 1176, which is great for heavy compression on drums, guitars and bass, and the hybrid electro/optical/tube Teletronix LA-2A, which is famed for its silky-smooth sound, but can also be overdriven very effectively. Of course, we now have the software compressor and, as computer power has advanced, so has the accuracy with which a plug-in compressor can not only control the dynamics of an input signal, but do so in a way that emulates the specific characteristics of classic hardware models. Each approach has its own sonic characteristics, and these differences have led experienced mix engineers to prefer specific compressor designs for particular mix tasks. As Mike explains, compression has been implemented using a number of different circuit topologies including VCA, vari-mu, optical and FET technology, as well as hybrid designs. It’s hardly surprising, therefore, that it has been discussed many times in the pages of SOS and back in the September 2009 issue, Mike Senior provided his ' Compression Made Easy' article that forms an excellent ‘Compression 101’ class. Positive Grid’s latest plug-ins let you craft your own boutique compressor designs without ever touching a soldering iron.Īlongside equalisation, compression is perhaps the most widely used processing tool within the mixing and mastering processes. The Pro Series optical compressor: LA-2A-inspired but with the option to swap out virtual components.
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